Armed, dangerous and very professional. A group of French and Spanish criminals, all close friends, shot to fame at the end of the 1990s by becoming Europe’s most dangerous band of robbers to date. Their methods copied the meticulous and professional way the characters in the film “HEAT”, starring Robert de Niro, executed their heists. Their actions were coordinated and carefully timed, with military precision, taking no longer than 5 minutes for each raid. They were heavily armed, with bulletproof vests, and used explosives to blast open security vans. They made their getaway in top-of-the-range armoured vehicles. The band members were experienced criminals. This dangerous band carried out a number of robberies in France and Spain.

With her hormones off the charts, teenager Ionela has a huge crush on Sheila, the captain of her gymnastics team. So much so, that, giving free rein to her uncontrolled sexual passion during a night of celebrating, she ends up biting her, sucking up every last drop of blood. Ionela’s brother Bernardino, who, despite hailing from Boyle Heights, not only considers himself Mexican, but a Zapatista too boot, buries Sheila’s body driving a stake through her heart for good measure. However, a few days later, the gymnastics team captain resurfaces for practice. If she was a tyrant before, now she demands complete submission and has the perfect set of tools to get her way: her fangs.

A series of mysterious disappearances startles Madrid’s high society. An unknown criminal is on the loose, slaughtering rich men in a twisted game to death. Judge Lucía Vergara oversees the case, and only Haro, the man she imprisoned 10 years ago, understands the minds of dangerous criminals like him. Lucía will team up with him unwillingly to stop the killer at all cost, but little does she know that Haro, the sophisticated but brutal aristocrat, is actually plotting a vendetta against her.

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Two Rwandan actors and a Belgian technician are gathered at the former propaganda radio station of the Rwandan genocide of 1994 to rehearse a program that conveys ideas of pacification and hope. But first they will have to overcome the terrible past that unites them.

Antonio Dumas, a prestigious, intellectual, sophisticated, though also rather cynical and conceited art historian and cultural manager, is appointed director of an important museum of modern art in Madrid after winning a contest for that position. In this new position he will have to deal with a variety of different circumstances and conflicts, which range from trade union problems and political pressures to surreal situations involving exhibitions and artists, in the midst of the unusual fauna that inhabits the art world.